LMP - Lisa Marie Presley

[Mrs. Järvis]

Nicht schlecht das Häuschen

Aber wozu wollte er das kaufen? Also nicht, dass das megasüß von ihm war, aber er hatte doch Neverland? War die Ranch zu klein? *g*.

[BritBrit]

Nicht schlecht das Häuschen

Aber wozu wollte er das kaufen? Also nicht, dass das megasüß von ihm war, aber er hatte doch Neverland? War die Ranch zu klein? *g*.

Lol, wozu wollte er das kaufen? Was eine Frage, Törtchen!
Du weißt ja, ich hab dich lieb.

@toolate:
Mich hat das auch sofort an das Camelot Gemälde erinnert.
Du weißt schon, Michael, der König, Lisa, die Königin, in ihrem Schloss zusammen.
Ok, ich hab früher zu viel Märchen gehört.

[Mrs. Järvis]

Ja was weiß ich denn
Bin ich ein Superstar, der sich mal eben 40 Millionen Dollar aus dem Ärnel schütteln kann, um sich ein Haus zu kaufen, obwohl er schon eins hat?
Zum zusammen wohnen können wird er es nicht gewollt haben :P Zusammen leben können, hätten sie auch auf Neverland Aber da war vielleicht die Gefahr zu groß, dass morgens eine Giraffe durchs Fenster schielt.

Rein nüchtern betrachtet, wäre das Haus unnötig gewesen
Von der romantischen Seite aus betrachtet natürlich nicht
Wann kriegt man von seinem Märchenprinzen schon mal ein Märchenschloss geschenkt?

Mag Neverland trotzdem lieber *mich trotzig auf den Boden hock und die Arme verschränk*
So!



Zu Taraborelli:
Hab dir ja schon in MSN gesagt, dass Lisa vermutlich irgendwann das Buch über Michael in die Finger bekommen hat und dann nur dachte "Um Gottes Willen". Und da hat sie dann lieber doch keine Biografie von sich schreiben lassen von dem Gott weiß, was da rausgekommen wäre. Ich glaube, da hat sie die richtige Entscheidung getroffen. Von Taraborelli würd ich meine Biografie auch nicht schreiben lassen. Nicht, dass meine Biografie irgendwen interessieren würde. Aber wenn, dann würde ich sie nie und nimmer von dem Fisch schreiben lassen :P

[toolate]

BritBrit passt doch!!!!
Und was hatte der König von Welt immer an seiner Seite??...............................
´türlich den Hofnarren.................Michael ganz Menschenfreund ,wie er war hätte sich gleich ein Päärchen (schreibt man doch so, oder??)an Land gezogen:
den Herrn Bashir und die Dame Diamond.

[Mrs. Järvis]

Lol und was hätte Sneddon machen sollen?
Hätte der den Eimer fürs Plumpsklo gehalten?

[bea0608]

Lol und was hätte Sneddon machen sollen?
Hätte der den Eimer fürs Plumpsklo gehalten?

@Mrs.Järvis
lol lol lol ich sehe es gerade Bildlich vor mir und krieg einen Lachkrampf. Das wäre der Job für Sneddon...Strafe muss sein. lol
Toller Kommentar.

[BritBrit]

Was die wenigsten wissen, Lisa Marie engagiert sich sehr für wohltätige Zwecke. Das war auch eine Sache, die Michael an ihr so toll fand.

Lisa leitet die gemeinnützige Organisation „Presley Charitable Foundation“.
Die Organisation stellt Wohneinrichtungen für obdachlose Familien zur Verfügung. Die Familien können dort mietfrei wohnen, es gibt Kinderbetreuung, Beratung in Sachen Karriere und Finanzen und weitere Maßnahmen, um die Familien von der Armut wegzubringen. Die Einnahmen von dem Lied ihres Vaters „In the Ghetto“, das sie aufnahm, gingen komplett an diese Organisation.



An Weihnachten verteilt sie dort mit ihrer Mutter und ihrer Tochter Riley Geschenke an die Kinder.




Sie hat bei vielen wohltätigen Aktionen mitgemacht, sie lief mit anderen mit einem Schild in der Hand bei einem Streik mit und sagte sogar vor Gericht aus.
Sie ist internationale Sprecherin der Kinderrechte der Organisation „Fight for kids“, die Eltern darüber aufklärt, was passiert wenn man Kinder mit schweren Medikamenten vollpumpt, die als verhaltensgestört erklärt werden, was heutzutage sehr oft der Fall ist. Vor Gericht sagte sie „Das Erklären als psychisch krank und die medikamentöse Behandlung von Kindern ist zu weit verbreitet. Normales Verhalten von Kindern wird als Verhaltensstörung diagnostiziert und Psychiater verschreiben diesen Kindern automatisch Psychopharmaka wie Ritalin. Die Kinder stehen Schlange in der Schule, um ihre Medizin zu bekommen. Es gibt andere Lösungen für diese sogenannten Verhaltensstörungen.“
„Es ist irrsinnig und muss aufhören!“
Ihr Lied "To whom it may concern" behandelt in einer sehr offensiven Form dieses Thema.




Seit Oktober 1997 gibt es das Literacy, Education and Ability Program (LEAP). Kinder und Erwachsene kriegen Materialen und Unterstützung, bei dem Lernen vom effektiven Lernen, sodass sie ihre gesetzten Ziele erreichen können und ihre volle Leistungsfähigkeit ausschöpfen können.
An Weihnachten:

http://www.lisapresley.com/index.html

[Susa]

Tolle Frau, wirklich! Kann ich gut verstehen warum Michael sich in sie verliebte.
Übrigends als ich das erste mal "In the Ghetto" von ihr zusammen mit ihrem Vater hörte, bekam ich eine Gänsehaut...bei "Don't cry Daddy" lief es mir heiß und kalt den Rücken runter...sehr bewegend wie sie ihrem Vater gedenkt...

[glampuss]

Ich habe hier einen interessanten Bericht über die Beziehung zwischen Michael und Lisa gefunden:

EXCERPT FROM CHILD BRIDE: THE UNTOLD STORY OF PRISCILLA BEAULIEU PRESLEY © 1997 Author: Suzanne Finstad
Sometime in 1991, after she had been married to musician Danny Keough for three years, 23 year-old Lisa Marie Presley telephoned longtime family friend and artist Brett Livingstone Strong. It was not the first time Lisa had turned to Brett to commiserate about her life. “She used to call me now and then when the relationship with Danny wasn’t working out to the effect that she wanted, love-wise.”
In 1991, and by the third year into her marriage, Lisa was restless and unfulfilled. “She wanted to do more with her life than just have her life go by,” Brett said. She and Danny were arguing mildly about his career versus hers, and Lisa was clearly in a struggle to find her identity. In just the year before, Lisa had telephoned a young producer’s office by mistake, thinking that she was dialing Priscilla’s boyfriend—Marco’s production company.
According to the producer’s girlfriend, she opened her soul to a perfect stranger. Lisa apparently confided in the producer about her marital woes, discussed the possibility of aborting another child by Danny, and talked about writing a book about her life, as if she had dialed a crisis hotline. The astonished producer would not comment on the bizarre experience later, except to say, “Even to this day I’m sort of at a loss at what exactly happened, so I think it’s best to just let it go. It’s really, you know, a mystery to me, the whole thing….I’m sure Lisa’s totally got her life together at this stage.”
She was, by all appearances, deeply troubled. Lisa still had a desire to be in show business, to be famous in her own right, and she turned, that year to Jerry Schilling, who had been close friend of Elvis and was one of the original members of his entourage, for guidance. Having decided to become an actress, she enlisted Jerry as her manager. She wanted, he recalled, to be a star. Jerry went along with it, not so secretly hoping she would switch to singing. “I managed her as an actress,” said Jerry, “but I kept saying, ‘Lisa, you are going to sing.’ And she said, ‘I don’t want to hear about it.’ ”
Lisa’s acting career fizzled, going no further than a false press report in May of 1991 saying that she would costar with Vanilla Ice in his next movie. She took a few acting lessons and became bored and discouraged because she was not an instant success.
During the summer or early fall of 1992, Jerry Schilling received the green light from Lisa that he had been hoping for since the day she was a child. “She called me from the car phone one day and said, ‘I can sing!’ And I knew what that meant.” Lisa Marie Presley had suddenly decided, for whatever reason, that her voice could be compared to her famous father’s and she was ready to withstand the media scrutiny and aim full-tilt for a recording career. Jerry Schilling again became Lisa’s manager. “Jerry would tell me,” recalled Brett, ‘If only Lisa would practice, she would be as good as her father.’ Jerry always wanted to be the manager, I saw that.” Jerry thought Lisa had, “a great voice—a cross between Aretha Franklin and Bonnie Raitt.” Once Lisa’s decision was made, Jerry took her through the normal process of getting her a record deal. She engaged her husband, Danny, as her producer and began writing songs with him, recalled both Jerry and Brett. “We went to the studios and got the musicians,” said Jerry. “When we got there, Aretha Franklin was the first thing she did on demo.”
Lisa, aware of all the pressure on her, was inhibited, remembered Jerry. The only person she would allow inside the studio—was Danny. “Danny started working with her and did a great job. A lot of it was confidence and pulling her along.”
Jerry then sent Lisa’s demo tapes to a large record company, but didn’t tell them who it was. “She got three major deals,” said Jerry. Lisa became pregnant in the process of recording her demos and gave birth to a son name Benjamin in October 1992, putting a temporary halt to her plans to record. Jerry was, by his recollections, finalizing plans to close a record deal for Lisa with Epic when things suddenly shifted course. Unbeknownst to Jerry, Lisa was impatient with the conservative, traditional route he was taking as her manager, representing her as an “upcoming new young talent,” taking the steps he would have followed for any other beginning artist. She phoned Brett throughout the summer of 1992 expressing her dissatisfaction. “That didn’t set well with Lisa,” as Brett put it. “She was like, ‘Hey, hang on a second! I’m Elvis Presley’s daughter!...Separate me from any other young and upcoming singer.’ But she obviously didn’t say that to Jerry.”
Lisa’s phone calls gave rise to an inspiration on Brett’s part. He had become a successful artist, famous for a million-dollar portrait he had painted of Michael Jackson, who had become his personal friend. Brett, the great connector, considered introducing Lisa to Michael. “She had the talent as well as the beauty and the name, so I thought Wow! The sky is the limit. What an image! I had known Michael for six years or more, and I thought maybe I could introduce Lisa to Michael Jackson. I thought, Hey, the person to get is Michael Jackson, because he’s an artist, instead of dealing with businessmen who would just categorize her and work her way up.” Michael had a new record label, Brett knew, and was looking for exciting, undiscovered talent. Who better than Lisa Marie Presley? “I didn’t discuss this with anyone,” said Brett. “I just thought about it and went about my business and thought that sometime in the future Lisa would like to have a conversation with Michael. From what I could see, Lisa was disenchanted with Jerry’s representation because she didn’t like what the head guy at Sony in New York had told her about where she had to begin and what she had to do—that she had to crawl before she walked.” Lisa wanted to emerge a full-blown star, and Michael Jackson, Brett believed, could help her.
Several months after the idea occurred to him, Brett telephoned Lisa, who was taking courses at the Scientology center in Clearwater, Florida. He said, “Lisa, if you’re really serious about your career, why don’t I put you in touch with Michael Jackson?….I think you should meet him and play your music and sing for him, and I think he could really encourage and inspire you on a direction you could take.” Brett told her that Michael had his own company, Nation Records, sponsored by Sony, and that he could “really launch her big time.” Lisa was intrigued.
Brett’s next step was to telephone Michael Jackson. “I said, ‘Michael, what would you say if I found talent for you that had the potential to be number one in the world in the recording industry—beautiful girl, great voice and also a reputation that would be a public relations dream come true?’ and he said, ‘Who are you talking about?’ So I said, ‘Lisa Presley.’ And he said, ‘What? She can’t sing!’ and I said, ‘She can.’ And then I asked, ‘Have you ever met Lisa?’ and he said no.” The conversation, recalled Brett, was brief, followed by lots of other conversations about it. Michael was “amazed at first, and then said, ‘Well get her to send me a tape.’ ”
At the time, neither Michael nor Lisa recalled their fleeting meeting introduction backstage, at the Sahara Tahoe when Lisa was six and Michael was sixteen. Lisa’s close childhood friend Myrna Smith, who was with Jerry and Joe Esposito when they took Lisa to that long-ago concert, confirmed this. “Lisa didn’t even remember meeting Michael as a child,” Myrna said. “She asked me, ‘Did I ever meet Michael Jackson?’ and I said, ‘Don’t you remember? We took you to see the Jacksons.’ ”
When Brett told Lisa about his conversation with Michael, she was offended that she would have to send a demo. She told Brett, “Forget it, I’ll play the tape for him in person.” Lisa called Brett constantly afterward, inquiring about the meeting with Michael. She told Myrna excitedly that Brett had arranged to have Michael and her get together at his house in Pacific Palisades and for Lisa to play her demo tape.
Lisa took her husband Danny, along to that meeting, and the group gathered in Brett’s living room. “Michael…was blown away by her music,” according to Brett. “She played the tape and was really excited that Michael Jackson was here, and at that point, she looked like a fan of his. And he was really tickled to see that she had a lot of potential, but he didn’t think too much more than ‘Wow, Brett is onto something here.’ ” There was, according to Brett, not even the slightest suggestion of anything romantic between Lisa and Michael at that meeting. “Her husband was here.”
Michael carried on with his own career interests after that meeting, but Lisa, recalled Brett, “kept calling me after that. Constantly calling me. And she wanted to get together with Michael more.” Lisa met with Brett a few times to talk about it, remarking that she had “a few things in common with the Jacksons and maybe she should pursue a friendship with Michael.” Brett, still their intermediary, offered to represent Lisa in a business contract with Michael for a recording deal, even though he had an art partnership with Michael and had been his friend for years. Brett had worked up some figures and talked to Michael, who arranged for Brett to take Lisa to meet with Michael Greenberg, the head of Jackson’s company, Nation Records in Santa Monica.
Lisa brought Danny along with her attorney, John Coale. “I didn’t know anything about that business,” said Brett, “but I wanted to make sure that Lisa made a deal at the top level…by saying, ‘Hey, Elvis is the King and she’s the Princess. She’s got the talent. All she needs is Michael to help record at the highest possible level and help her choose the songs and teach her some presence on stage. I was trying to get Michael to…make a deal with Lisa at the top—the deal that the other recording companies were making with Madonna and Barbara Streisand. And he was like, ‘Are you crazy? They have proven themselves.’
And I said, ‘No, make the same deal; a deal over a period of time…based on performance as the records sell. And not only will you make the deal with Lisa, you’ll promote the company.’ And I knew that’s what Lisa would love, if she was put on a pedestal.”
----------
Excerpt from Child Bride, February 1, 1993
Lisa was torn. Part of her was in “turmoil,” recalled Brett, “on her mind was ‘I have my kids,’ and she was in turmoil with her husband and what should she do? If she wanted to be a star, she had to really want to live and breathe that.” Michael Jackson also advised Lisa similarly: If she wanted to pursue a singing career, she would have to dedicate herself to it. During the following weeks, Brett found herself the hapless man in the middle, caught between a balking and busy Michael, and an ambivalent yet driven Lisa.
Brett made arrangements for Lisa to visit Michael in Japan while he was on the tour for Dangerous, and tried to facilitate other plans, some of which occurred while others dissipated. According to Brett, Lisa was, “in relentless pursuit of Michael Jackson,” and phoned [Brett] constantly to find out whether the deal would occur. Michael, in Brett’s characterization, was obviously intrigued by the thought of signing Lisa Presley, “but there was more desire on Lisa’s part for something to happen.” Lisa, he recalled, finally said to him, “It doesn’t seem like I can make that deal with him, and I don’t want to push him too much.”
Brett, who was still hoping to bring them together for a record deal, finally arranged for a representative from Michael’s office to send a formal letter to Lisa stating that Michael was still interested in keeping things going. At the same time, Prince also began pursuing Lisa to sign a recording contract.
Lisa celebrated her twenty-fifth birthday with a huge party, planned by Priscilla, at Six Flags Magic Mountain. Prince was among the guests, along with a sprinkling of celebrity Scientologists such as Kirstie Alley, Nicole Kidman, and Juliette Lewis. Lisa invited Michael Jackson as her special guest, “and he would have loved to have gone,” said Brett, “but he had other things.” Brett suggested to Michael that he should at least send Lisa a birthday gift, “so he told me, ‘Well you go get it!’ ” Brett selected, as Michael’s gift to Lisa, an art book on Michelangelo and a silver picture frame in which he placed a photograph of Michael and Lisa’s original meeting in his living room. Brett, attempting to be gallant on Michael’s behalf, wrote sweet birthday inscriptions in the art book and on the birthday card, making them appear to be from Michael. “I was just trying to be a good friend for him,” said Brett. “I went to the party with my son Jason, and when I got there, Lisa was like, ‘Oh! Where’s Michael? I hope it’s all right that Prince is here.’ I said, ‘Michael just couldn’t make it, but here is a gift from him.’ And I didn’t say anything [else].” Lisa, he recalled, “latched onto the gifts excitedly and immediately opened them to check them out.”
He later figured out, said Brett, that he had inadvertently played matchmaker to Michael and Lisa by buying the birthday gifts, for Lisa, seeing the card and the inscription in the art book, both of which she believed to have been written by Michael, misinterpreted Brett’s affectionate words as an indication that Michael Jackson had feelings for her. “I wasn’t trying to bring two people together to get married. I look back on it now as a sign that [she was thinking], Wow! He really cares about me. And she secretly wanted a relationship with him, because I always talked about him as a passionate man [who was] extremely loving…and that attracted Lisa, that loving part, and loving children.”
Lisa never knew that Brett wrote the birthday card and signed her book. “I can’t recall what I wrote exactly in the book or card,” said Brett, “but that might have been something she read over and over again and thought, Jeez! And afterwards, Lisa kept calling me, and eventually, after the many calls and pursuits and my little bit of fairy dust that I sprinkled about the place, hey, those guys [got] together, and I thought, ‘Maybe they’ll record something,’
And I remember Lisa saying, ‘Brett, what do you want out of this?’ and Michael Jackson asked me the same thing, and I thought, ‘Boy, there must be something happening here.’ I told Lisa, ‘You can give me whatever you think is fair,’ and I told Michael the same. I thought up the idea and executed it, and I stayed on top of it. Any other business person would be claiming something, but since I am an artist, I told them, ‘If you do record something, give me a job at art direction instead of hiring somebody else.’ So we didn’t think anything else or more about that other than that it was going to happen.”
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“Child Bride,” Late February, 1993
In late February, a few weeks after her 25th birthday, Jerry Schilling received a mysterious phone call from Lisa. “Something is going on,” she told Jerry, “but I can’t tell you what. And it has nothing to do with you, but I’m not going to continue with this record contract right now.” Lisa told him, said Jerry, that she was busy with her new baby and wanted to put the Epic deal on hold. Jerry, who had no idea Lisa had even met with Michael Jackson, simply said fine and puzzled over what might be happening in Lisa’s life.
Mike Edwards, who had also remained close to Brett after his breakup with Priscilla, began getting phone calls from an amazed Brett about this time. “He’s saying, ‘Gosh, Lisa’s calling me and Lisa’s really interested in Michael!’ ” Brett’s impression, said Mike Edwards, was that Michael was absorbed in his work, but that Lisa was really interested in him. “And I said, ‘Come on! What do you mean?’ [Brett] said, ‘You haven’t met him, but he’s very charismatic.’ And I said, ‘Yeah, but I can’t believe it.’ He said, ‘Yeah, she’s kind of pursuing him.’ And I went, ‘My God! What’s gonna happen?’” “I could see that Lisa fell in love with him,” confirmed Brett. What attracted her in part, he felt, was that Michael was not after her money. “I think she didn’t know him very well, though. She didn’t know his quirks and eccentric lifestyle, and she thought, This guy is going to be great. A stepfather for my kids.”
Lisa, according to Brett, was the one who was in pursuit. “I think it was the passion of a woman who fell in love. And Michael wasn’t even interested at all. And he is a gentleman, he wouldn’t have wanted to pull her away from her marriage to Danny. And she pursued him. Family friend Bob Wall, who heard about it after the fact, confirmed this. “I know that Lisa is the one who pursued the relationship.” She did it, Bob felt, to create an identity separate from the Presley name, to be known as something other than “the daughter of.” “Lisa really wants to be credible,” said Bob. “You’ve got her father, who’s a genius. Her mother’s done incredibly well. And all she’s got is a lot of money. So maybe that’s important to her, to create her own identity.

[BritBrit]

Dieses Buch kann man in die Tonne kloppen, es sei denn man ist an Fiction interessiert.
Nicht zu empfehlen.

[BritBrit]

Das Haus in das Lisa jetzt in England gezogen ist, liegt übrigens in Kent. Da wo auch Michael hingezogen wäre, während den TII Konzerten.

[Sandra]

Das Haus in das Lisa jetzt in England gezogen ist, liegt übrigens in Kent. Da wo auch Michael hingezogen wäre, während den TII Konzerten.

woher weiß man das er nach Kent ziehen wollte? Interessiert mich ehrlich, wusste das garnicht... danke schonmal vorab liebe BritBrit

[BritBrit]

woher weiß man das er nach Kent ziehen wollte? Interessiert mich ehrlich, wusste das garnicht... danke schonmal vorab liebe BritBrit

Ich hab mehrere Artikel darüber gelesen.

Hier z.B. http://www.dailymail.co.uk/news/arti...e-weekend.html
Oder hier: http://www.pajamadeen.com/world-news...or-o2-concerts

[moonshine]

danke BritBrit, für diese Bilder und Infos. Ich wusste es zwar schon, aber viele halten ja Lisa für kalt, und ich finde, auf diesen Bildern kann man sehr gut sehen, dass sie das nicht ist. Tolle Frau!

[BritBrit]

danke BritBrit, für diese Bilder und Infos. Ich wusste es zwar schon, aber viele halten ja Lisa für kalt, und ich finde, auf diesen Bildern kann man sehr gut sehen, dass sie das nicht ist. Tolle Frau!

Ja, das stimmt, viele halten sie für eine kalte Frau. Aber ich bin mir sicher, Michael hätte sich niemals in eine gefühlskalte Frau verliebt.
Ich schätze Lisa verhält sich manchmal auch so, was sie kalt erscheinen lässt, um nicht angreifbar und verletzlich zu wirken. Wenn man sich näher mit ihr beschäftigt, dann merkt man das. Sie hat so viel erlebt und musste schon so viel durchmachen in ihrem Leben. Sie ist eine unsichere und sehr verletzliche Person.
Dieses Video finde ich ganz gut gemacht, Analyse ihrer Körpersprache während Interviews über Michael. Es gibt noch ein besseres, aber das finde ich gerade nicht.